Four people in different provinces are driven to violent ends: An angry miner is enraged by corruption in his village. A migrant discovers the possibilities of owning a firearm. A receptionist is pushed beyond her limits by an abusive client. A young factory worker goes from one job to the next.

Its screenplay isn't as graceful as the choreography of its action sequences, but A Touch of Sin offers enough stylishly satisfying violence to muscle past its rough spots.