
Nymphomaniac: Vol. I
dir. Lars von Trier
69
8 sourcesSynopsis
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.
Critics consensus
Darkly funny, fearlessly bold, and thoroughly indulgent, Nymphomaniac finds Lars von Trier provoking viewers with customary abandon.
What resonated with audiences
'Nymphomaniac: Vol. I' delivers exceptional dramatic and psychological depth, offering a thought-provoking exploration of sexuality and human obsession through von Trier's bold artistic vision. Performances, particularly from Stacy Martin and Uma Thurman, earned widespread praise. However, the film proved divisive: pacing was frequently criticized as excruciatingly slow, writing felt pretentious to some, and engagement levels varied dramatically. The explicit sexual content polarized audiences, with some celebrating its artistic purpose while others found it gratuitous, making this a challenging but potentially rewarding experience for adventurous viewers.

Directed byLars von Trier
StarringCharlotte Gainsbourg, Stellan Skarsgård, Stacy Martin, Shia LaBeouf, Christian Slater, Uma Thurman
Written byLars von Trier
CinematographyManuel Alberto Claro
EditingMorten Højbjerg
Nymphomaniac: Vol. I
2013 · NR · 1h 58m
Drama
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.
Our Verdict
69
'Nymphomaniac: Vol. I' delivers exceptional dramatic and psychological depth, offering a thought-provoking exploration of sexuality and human obsession through von Trier's bold artistic vision. Performances, particularly from Stacy Martin and Uma Thurman, earned widespread praise. However, the film proved divisive: pacing was frequently criticized as excruciatingly slow, writing felt pretentious to some, and engagement levels varied dramatically. The explicit sexual content polarized audiences, with some celebrating its artistic purpose while others found it gratuitous, making this a challenging but potentially rewarding experience for adventurous viewers.
Critics Consensus
Darkly funny, fearlessly bold, and thoroughly indulgent, Nymphomaniac finds Lars von Trier provoking viewers with customary abandon.
