
Salesman
dir. David Maysles
81
7 sourcesSynopsis
This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.
What resonated with audiences
'Salesman' delivers powerful social commentary through the Maysles brothers' exceptional direct-cinema approach, creating a thought-provoking examination of door-to-door Bible salesmen and the American Dream's dark side. The authentic portrayal and profound emotional weight earn widespread praise, though engagement proves divisive—some find it fascinating while others consider it extremely boring and slow-paced. Character development and editing choices receive mixed reactions, with some appreciating the complexity while others find subjects underdeveloped and footage haphazardly assembled.

Directed byDavid Maysles, Albert Maysles, Charlotte Zwerin
StarringPaul Brennan, Charles McDevitt, James Baker, Raymond Martos, Melbourne I. Feltman, Margaret McCarron
CinematographyAlbert Maysles
EditingDavid Maysles
Salesman
1969 · G · 1h 30m
Documentary
This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.
Our Verdict
81
What resonated with audiences
'Salesman' delivers powerful social commentary through the Maysles brothers' exceptional direct-cinema approach, creating a thought-provoking examination of door-to-door Bible salesmen and the American Dream's dark side. The authentic portrayal and profound emotional weight earn widespread praise, though engagement proves divisive—some find it fascinating while others consider it extremely boring and slow-paced. Character development and editing choices receive mixed reactions, with some appreciating the complexity while others find subjects underdeveloped and footage haphazardly assembled.
